Roots

Austin's Claritin couple

Here's one I got from the local alternative weekly, The Austin Chronicle, which answered a question that I've been wanting to look into for awhile: How did Austin musicial spouses Bruce Robison and Kelly Willis come to be the spokespeople in a national television ad campaign for an anti-allergy medication?

In the Chronicle's Q&A with Robison, he said the whole thing happened very quickly. The ad agency had the spot scripted and needed the right talent. Someone at the agency knew about Robison and Willis, and thought they would be right for the ad. They were contacted through their manager. Everything was ready to go, and the musicians just had to go in for the shoot.

For Robison and Willis, aside from whatever fee they earned, the commercials also raised the artists' profiles at a time when they have new record releases. Very savvy.

Skydancing with Peter Rowan

I made too much about reggaebilly in my Peter Rowan's Skydancer Trio in the program bio. (Yes, I wrote the artist bios that appeared in the official festival program.) The trio is mandolin-vocalist Sharon Gilchrist from the Rowan-Rice quartet and percussionist Jeff Hogan.

They played mostly the familiar Rowan repertoire, but with a perhaps more of a world rhythm to it. Midnight Moonlight, Land of the Navaho, and Panama Red from Old & In the Way, Roanoke, White Dove, and Walls of Time from the Monroe years. And they did close with No Woman, No Cry, so maybe it was reggaebilly after all.

Later in the festival, after a set by the full Peter Rowan-Tony Rice Quartet, I got a chance to sit down with Peter Rowan for a chat, which I'll be blogging about later.

Kinky meets his base


As an out-of-stater, I'd thought Kinky Friedman's campaign for Texas governor was more than half satirical. But his appearance at Old Settler's was a serious campaign stop for an anti-politician on the stump for signatures to meet a May 11 deadline to qualify for the ballot.

"I'm 61 years old, too young for Medicare and too old for women to care," he started out. "But I care. I care about Texas."

Mixing his droll humor with policy positions and attacks on the incumbent, he laid out a series of positions in favor of biodiesel fuel, education funding, casino gambling, and guest workers and opposed to highway tolls, capital punishment, and banning gay marriage. He is also pro-cigar and pro-Guinness, displaying both props proudly throughout the appearance.

The latter had recently caused him some trouble when he was seen imbibing while riding in the grand marshall's car during a St. Patrick's Day parade. "I admit I did drink the Guinness," he said, "but I did not swallow."

Playing his outsider role to the hilt, he hit out at politics as "the only field where the more experience you have, the worse you get." He said that musicians would do a better job than politicians. "We won't get a hell of a lot done in the morning, sure, but we'll work late and be honest." He said his career had proved that he is not afraid to offend people, unlike professional politicians.

When he finished, he stepped down from the platform to greet the festival audience, many waving items to autograph. "I'll sign anything but bad legislation," he said.

Settling in on Thursday

The festival got off on the right note the first night with a rollicking campaign appearance by candidate Kinky Friedman and fine musical performances from Abigail Washburn and Peter Rowan. Earlier, as I had arrived and set up at Camp Ben McCullough, there had been on-and-off rain showers, but the evening was cool and dry by the time the program got underway at the cozy campground stage. (There was more rain overnight, but the rest of the weekend was glorious.)

You probably recognize Abigail Washburn as the waifish banjo player from Uncle Earl, but for tonight and a main-stage set on Saturday, she played in her duo format with cellist Ben Sollee. With the g'earls, Washburn showcases her Chinese material, but here she was able to stretch out with a number of songs in Mandarin or with Chinese musical influences. Sollee, whose cello playing is more melodic than the only other bluegrass cellist I know of, Rushad Eggleston, had some fun teasing Washburn, joking that the title of a beautiful melody sung in Mandarin sounded to him like "soybean casserole." The tune will be on an upcoming Washburn EP featuring Béla Fleck and Casey Driessen in addition to Sollee.

The Kinkster was up next, and he didn't disappoint. Coming up in the next item.

Delightful OSMF festival goes underappreciated

Not having attended other highly regarded Texas festivals such as Kerrville or Austin City Limits, I can't rightfully call Old Settler's "the best little music festival in Texas," but after returning today from a magical weekend in the hill country outside of Austin I can say those others would be hard-pressed to equal the musical excellence, production quality, and site comforts of this really fine event.

The problem is that the Austin-area fan base has so many choices that not enough of them showed up for the organizers to break even on the event, a reality that threatens the festival's future. Official attendance figures were not available, but festival president Randy Collier was candid in telling me that the total gate was down from last year despite fine weather, a great lineup, and a sustained marketing effort.

To be sure, thousands of festival-goers did show up and several vendors I spoke with were satisfied with traffic at their booths, but as an attendee I never had any trouble getting great seating locations, prime campground space, or quick service on the festival shuttle bus. Those are nice things for attendees, but are problematic for the promoters. The festival could easily have handled 50 percent again as much gate without stressing any of the systems. An equivalent event in many other parts of the country would certainly have drawn better.

Hopefully, the light turnout will not discourage Collier and the other organizers from proceeding with plans for a 20th annual event next spring. After enjoying this festival so much, Festival Preview will certainly be back in 2007.

I'll have lots more about OSMF on Tuesday and Wednesday.

Festival Preview at Old Settler's

I won't be blogging or updating the Live Roots Music bee for the next few days while attending Old Settler's Music Festival in Austin (unless it turns out they have WiFi on site, which is doubtful). Check back next week for OSMF highlights and other festival news.

Telluride NightGrass schedule posted

Festivarians who don't get enough music on the Telluride Bluegrass Festival stages can fill out their weekend attending any of the extra-cost late-night appearances by festival performers at four indoor venues around town. Planet Bluegrass announced the schedule of NightGrass performers yesterday. Tickets go on sale April 26 at the Planet Bluegrass site. Here's the lineup:

Wednesday, June 14
The 5th Annual Bluegrass Kick-Off Party with Yonder Mountain String Band
Telluride Conference Center
8pm music, 7:30pm doors
$22 in advance

Thursday, June 15
Drew Emmitt Band
Sheridan Opera House
11pm show, 10:30pm doors
$25 in advance

Wayword Sons
Fly Me to the Moon Saloon
10pm show
$10 in advance

Friday, June 16
Yonder Mountain String Band
Sheridan Opera House
11pm show, 10:30pm doors
$30 in advance

Sweet Sunny South
Fly Me to the Moon Saloon
10pm show
$10 in advance

John Prine
Michael D. Palm Theatre
Details and ticket info coming soon...

Saturday, June 17
Tim O'Brien Band
Sheridan Opera House
11pm show, 10:30pm doors
$30 in advance

Stephen Kellogg and the Sixers
Fly Me to the Moon Saloon
10pm show
$10 in advance

Sunday, June 18
Chris Thile
Sheridan Opera House
11pm show, 10:30pm doors
$25 in advance

Vince Herman and Great American Taxi
Fly Me to the Moon Saloon
10pm show
$10 in advance

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